Fiona Estelle Blandford

‘Still life for 2010’, is a photographic series that investigates political and historical references from
traditional ‘still life’ painting. A farm sticker, a rubber band, cling wrap and a gauze bag are signs
evoking the production and marketing of food. The work reflects our indulgence and eroticisation
of food and the accessibility of an increasing season-less market.

Fiona Estelle Blandford

Fiona Estelle Blandford, A Tableau for 2010, 2010

 

Alice Parker

In No Direction Home Alice Parker reflects on a continuous and meticulous refinement of a vocabulary of colour and its relationship to space and object. This work explores how subverting the plane of a geometric form through the use of colour, surface and light informs the public space.

 

Alice Parker

Alice Parker, No Direction Home, 2010

 

Kelly Manning

Big Wigs is a series of portraits utilising images from the public domain representing individuals who are presently influential in the Australian Contemporary art scene.Through the political and economic connotations in Big Wigs, the artist aims to challenge commercialization and highlight the difficulties facing art in a consumer society where changes in the art world are dependent upon the social elites, politicians and urban planners.

Kelly Manning

Kelly Manning, Ben Quilty, 2011

 

 

 

Angeliki Androutsopoulos

Oil on board

June I – VI

 

25 January–11 February
Opens 25 January 6pm–8pm

In No Direction Home, Alice Parker reflects on a continuous and meticulous refinement of a vocabulary of
colour and its relationship to space and object.

This work explores how subverting the plane of a geometric form through the use of colour, surface and
light informs the public space.

Alice Parker

 

Anita Belia

EVERYTHING IS A COPY OF A COPY

Video text piece
Words appropriated from the film scripts Taxi Driver, 1976 and Fight Club, 1999.

Everything is a copy of a copy, questions the split between what society thinks is morally correct versus what
is truth and what is reality. Whilst investigating how capitalism, cultural propaganda and the consumer
dominant undermine the notion of self.

How does one capture the reference points that are meaningful?

Anita Belia

Anita Belia, Everything A Copy, 2011

 

15 February–03 March
Opens 15 February 6pm–8pm

Gallery 1
Artefact
Chantel de Latour, Antonia Ellis, Olivia O’Donnell

Gallery 2
Inside is outside, Outside is inside

Yuria Okamura

Night Screen & Workers Window
Window Pictures
Daniel Stephen Miller

Project Space
Freeloader
Pippa Makgill

 

03–05 January
Opens 03 January 6pm-8pm

Our Swedish resident JOHANNA NORDIN  will open her MALE EGO EXORCISM BUREAU (MEEB)

Do you identify yourself as a male? is your ego in need of an exorcism?
Then this might be your chance! The bureau will commence operations with a demonstration

(featuring The Last Tuesday Society and List Operators Richard Higgins) at ca 6.30.

Males with Egos wishing to have them exorcised are encouraged to contact the Bureau at jnsmaleexorcismbureau@gmail.com.

After the grand opening the Bureau will be open for business from 10am-5pm Wed and Thurs providing full or partial Male Ego Exorcisms with a convenient and “while-U-wait” service.

Recent Shows

Archive