26th May – 10th June
Radosavljevic questions the function of decorative elements as communicative vessels within contemporary art. Considering the interrelated trajectory of utility and decorative aesthetic between art history and contemporaneity, this collection of works is intended to establish a dialogue between visual mediums, content and adornment.
What happens after we reduce everything to its bare essentials?
If we reintroduce decoration does its dialogue shift from simple adornment to something capable of communicating more complex ideas?
Architectural metaphors are a key language used in an endeavour to reflect Radosavljevic’s contradicting internal dialogue. His contribution navigates the contemporary landscape through installation and static art. Elements reflective of culture and customs are misplaced and blurred to isolate and frame the context of his studio investigation.