Moorina Bonini is a proud descendant of the Yorta Yorta Dhulunyagen family clan of Ulupna and the Yorta Yorta, Wurundjeri and Wiradjuri Briggs/McCrae family. Moorina is an artist whose works are informed by her experiences as an Aboriginal and Italian woman. Her practice attempts to disrupt and critique the eurocentric foundations that centralise Indigenous categorisation within western institutions. By unsettling the narrative placed upon Aboriginal people as a result of colonisation of Aboriginal Australia, Bonini’s practice is based within Indigenous Knowledge systems and brings this to the fore. Moorina holds a Bachelor of Fine Arts from RMIT University and a Bachelor of Fine Arts (Honours) from the Victorian College of the Arts. Moorina is currently a research candidate at Monash University where she is undertaking a PhD within the Wominjeka Djeembana Research Lab.Her work has been exhibited in various shows across Australia and also internationally. Galleries and Institutions include ACMI, The Shed (NY), Sydney Festival, Blak Dot Gallery, Centre for Contemporary Photography and the Koorie Heritage Trust. Moorina has produced and co-curated art and cultural programs across RMIT University, the University of Melbourne and Shepparton Art Museum.

Sam Harrison is a Brisbane based artist and curator with cultural connections to Kamilaroi and Wiradjuri people of Central NSW. He completed a bachelor of Fine Arts (Painting) in 2018 from the Victorian College of the Arts, Melbourne. Sam has worked in a number of creative capacities, as an exhibiting artist, curator, artist assistant and arts teacher for young adults with autism. He has a keen interest in exploring how art functions in urban settings to create healthy, inclusive and enjoyable environments.His practice revolves around discussion and analysis of the Australian Identity. His practice can be narrowed down into three general focuses. Firstly, utilizing historical and contemporary learning resources to re-conceptualize how we interpret the national story. Secondly, to create conversation in the present, about the present, to identify where and what we are as a collective, yet diverse cultural entity. Lastly, to think and envision what an increasingly connected, mobile and global future has in store for us.